Say it Loud

Amo a la Reina

Raquel van Haver

2020 (foto: Justin Livesey)

Slave-trade document on paper

Alle Jong

2016 (courtesy the artist)

Steel to Rust / Meltdown, 2016 / Carved to Flow

Otobong Nkanga

2016/ 2017 (foto: Peter Cox)

Sunnyland (On the Dark Side)

Betye Saar

1998. Courtesy Museum De Domijnen/Gert Jan van Rooij

untitled

Henry Taylor

2019 Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo. Photo: Andrea Rossetti

Selma

Kim Zwarts

2011 (courtesy the artist)

untitled

Henry Taylor

2019 (foto: Peter Cox)

UN CONDITIONAL

Juul Sadée

2019 (foto: Peter Cox)

Blue Boy

Alison Saar

2020. © Alison Saar. Courtesy of L.A. Louver

Carved to Flow

Otobong Nkanga

2017 (courtesy of the artist)

The Specter of Ancestors Becoming

Tuan Andrew Nguyen

2019 (foto: Peter Cox)

The Specter of Ancestors Becoming

Tuan Andrew Nguyen

2019 (foto: Peter Cox)

RHYTHM MASTR Daily Strip (Runners)

Kerry James Marshall

2018 (foto: Peter Cox)

RHYTHM MASTR Daily Strip (Runners) – Panel 1 (detail)

Kerry James Marshall

2018 (courtesy of the artist)

Installation view of Kahlil Joseph

BLKNWS

2018-2019, two-channel fugitive newscast (foto: Bonnefanten)

The Soul of Salt, 2016

Patricia Kaersenhout

2020 (foto: Peter Cox)

Túbélá (frontside)

Hans van Houwelingen

2017 (foto: Peter Cox)

Túbélá (backside)

Hans van Houwelingen

2017 (foto: Peter Cox)

Amo a la Reina

Raquel van Haver

2020 (foto: Justin Livesey)

Amo a la Reina

Raquel van Haver

2020 (foto: Justin Livesey)

Amo a la Reina

Raquel van Haver

2020 (foto: Justin Livesey)

Of The Departure and The Arrival

Ni Haifeng

2005 (foto: Peter Cox)

Of The Departure and The Arrival

Ni Haifeng

2005 (foto: Peter Cox)

Brian Elstak (illustration), Serana Angelista (graphic design)

Seni (Videostill)

Kent Chan

2019 (courtesy the artist)

Seni

Kent Chan

2019 (foto: Peter Cox)